Their own lives is where many writers, especially beginners, would get their ideas from. There are reasons why this is useful, such as relating directly to the main character, you're not likely basing your book on what you've read, and your emotionally invested in the topic. But remember, just because you find this thing that happened to you or your child fascinating, it doesn't mean it will be fascinating to thousands of potential readers.
Real life events are just events, and this happens often. It's a vivid scene you recall with pleasure, or a family joke that's repeated over and over. You may look at it as a turning point in your life or it evokes strong emotions when you remember it. But it's rare for reality to provide plots.
Writers fail to develop elements to make a good story if they stick too closely to what happened like character faced with a conflict, tension mounting as the character tries to solve it, a climax and resolution that's satisfying to the character and reader.
If your main character is really your son, you might not want to get him in trouble or throw rocks in his path. However, you have to do it. You have to if you want to create a story where the readers are hooked and wondering what's going to happen in the end.
Speaking of endings, if the resolution of your story comes too easily, it's probably obvious and predictable. Try mixing up real life and have the situation evolve in a different direction. Surprise yourself, and you'll surprise an editor.
First focus on whether it's a plot or a theme however you get your idea. What the author wants to convey to the reader and the underlying meaning of the story is what the initial idea is most of the time. Appreciating one's thoughts, friendship, etc. are examples of themes and they should be universal in their appeal. Then play around with the sequence of events until you develop a plot (what actually happens in the book) that makes this theme clear to the reader. Tell your story from a childhood point of view if you're using a childhood incident as your story's foundation.
Real life events are just events, and this happens often. It's a vivid scene you recall with pleasure, or a family joke that's repeated over and over. You may look at it as a turning point in your life or it evokes strong emotions when you remember it. But it's rare for reality to provide plots.
Writers fail to develop elements to make a good story if they stick too closely to what happened like character faced with a conflict, tension mounting as the character tries to solve it, a climax and resolution that's satisfying to the character and reader.
If your main character is really your son, you might not want to get him in trouble or throw rocks in his path. However, you have to do it. You have to if you want to create a story where the readers are hooked and wondering what's going to happen in the end.
Speaking of endings, if the resolution of your story comes too easily, it's probably obvious and predictable. Try mixing up real life and have the situation evolve in a different direction. Surprise yourself, and you'll surprise an editor.
First focus on whether it's a plot or a theme however you get your idea. What the author wants to convey to the reader and the underlying meaning of the story is what the initial idea is most of the time. Appreciating one's thoughts, friendship, etc. are examples of themes and they should be universal in their appeal. Then play around with the sequence of events until you develop a plot (what actually happens in the book) that makes this theme clear to the reader. Tell your story from a childhood point of view if you're using a childhood incident as your story's foundation.
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